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Anders Aarvik, Halfdan Kajhøj, Aske Hvitved, Ayshan Qvortrup, Ada Greenstein


goose egg (2nd iteration)


Curated by Anders Aarvik, Halfdan Kajhøj


INFORMATION

Artist(s): Anders Aarvik, Halfdan Kajhøj, Aske Hvitved, Ayshan Qvortrup, Ada Greenstein

Curator(s): Anders Aarvik, Halfdan Kajhøj

Type: Exhibition

Location: Næstved Art Festival, Boderne

Dates: 14 Oct 2023 → 16 Oct 2023

Photographer: Anders Aarvik




IMAGES
Installation view

Installation view


Installation view

Installation view


Installation view

Installation view


Anders Aarvik, untitled (inner ear machine fossil sigil), Etching, water-based ink and soil, cotton paper retrieved from deceased artist, plotting with GraphGear 1000, found clip frame, 3x 24x30 cm each

Anders Aarvik, untitled (inner ear machine fossil sigil), Etching, water-based ink and soil, cotton paper retrieved from deceased artist, plotting with GraphGear 1000, found clip frame, 3x 24x30 cm each


Anders Aarvik, untitled (inner ear machine fossil sigil), Etching, water-based ink and soil, cotton paper retrieved from deceased artist, plotting with GraphGear 1000, found clip frame, 3x 24x30 cm each

Anders Aarvik, untitled (inner ear machine fossil sigil), Etching, water-based ink and soil, cotton paper retrieved from deceased artist, plotting with GraphGear 1000, found clip frame, 3x 24x30 cm each


Halfdan Kajhøj, Proportion mapping, Still image on projector, computer, various cables, 20x35x30cm

Halfdan Kajhøj, Proportion mapping, Still image on projector, computer, various cables, 20x35x30cm


Halfdan Kajhøj, Proportion mapping, Still image on projector, computer, various cables, 20x35x30cm

Halfdan Kajhøj, Proportion mapping, Still image on projector, computer, various cables, 20x35x30cm


Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, 𖤖, 20´ performance (co-choreographed and performed by Ayshan Qvortrup), teasels (dipsacus), steel pipes, excavated brick remains, computer-extracted gold, terracotta fragment, sewn patient clothes, jute twine

Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, 𖤖, 20´ performance (co-choreographed and performed by Ayshan Qvortrup), teasels (dipsacus), steel pipes, excavated brick remains, computer-extracted gold, terracotta fragment, sewn patient clothes, jute twine


Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, 𖤖, 20´ performance (co-choreographed and performed by Ayshan Qvortrup), teasels (dipsacus), steel pipes, excavated brick remains, computer-extracted gold, terracotta fragment, sewn patient clothes, jute twine

Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, 𖤖, 20´ performance (co-choreographed and performed by Ayshan Qvortrup), teasels (dipsacus), steel pipes, excavated brick remains, computer-extracted gold, terracotta fragment, sewn patient clothes, jute twine


Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, 𖤖, 20´ performance (co-choreographed and performed by Ayshan Qvortrup), teasels (dipsacus), steel pipes, excavated brick remains, computer-extracted gold, terracotta fragment, sewn patient clothes, jute twine

Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, 𖤖, 20´ performance (co-choreographed and performed by Ayshan Qvortrup), teasels (dipsacus), steel pipes, excavated brick remains, computer-extracted gold, terracotta fragment, sewn patient clothes, jute twine


Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, 𖤖, 20´ performance (co-choreographed and performed by Ayshan Qvortrup), teasels (dipsacus), steel pipes, excavated brick remains, computer-extracted gold, terracotta fragment, sewn patient clothes, jute twine

Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, 𖤖, 20´ performance (co-choreographed and performed by Ayshan Qvortrup), teasels (dipsacus), steel pipes, excavated brick remains, computer-extracted gold, terracotta fragment, sewn patient clothes, jute twine


Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, 𖤖, 20´ performance (co-choreographed and performed by Ayshan Qvortrup), teasels (dipsacus), steel pipes, excavated brick remains, computer-extracted gold, terracotta fragment, sewn patient clothes, jute twine

Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, 𖤖, 20´ performance (co-choreographed and performed by Ayshan Qvortrup), teasels (dipsacus), steel pipes, excavated brick remains, computer-extracted gold, terracotta fragment, sewn patient clothes, jute twine


Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, 𖤖, 20´ performance (co-choreographed and performed by Ayshan Qvortrup), teasels (dipsacus), steel pipes, excavated brick remains, computer-extracted gold, terracotta fragment, sewn patient clothes, jute twine

Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, 𖤖, 20´ performance (co-choreographed and performed by Ayshan Qvortrup), teasels (dipsacus), steel pipes, excavated brick remains, computer-extracted gold, terracotta fragment, sewn patient clothes, jute twine


Halfdan Kajhøj, untitled (revisionised), Dried switchgrass and hairgrass, transport cases, carpet moss, burnt ash wood, 10x100x30cm

Halfdan Kajhøj, untitled (revisionised), Dried switchgrass and hairgrass, transport cases, carpet moss, burnt ash wood, 10x100x30cm


Halfdan Kajhøj, untitled (revisionised), Dried switchgrass and hairgrass, transport cases, carpet moss, burnt ash wood, 10x100x30cm

Halfdan Kajhøj, untitled (revisionised), Dried switchgrass and hairgrass, transport cases, carpet moss, burnt ash wood, 10x100x30cm


Anders Aarvik, untitled (calf heart), jute twine, cow bell, 21x16x10cm

Anders Aarvik, untitled (calf heart), jute twine, cow bell, 21x16x10cm


Halfdan Kajhøj, anthem, Geophone, amplifier, audio interface, speakers, realtime audio manipulation, various cables, Variable dimensions

Halfdan Kajhøj, anthem, Geophone, amplifier, audio interface, speakers, realtime audio manipulation, various cables, Variable dimensions


Halfdan Kajhøj, CPU, Intel Core i3-3225 3.3ghz, oak bark with lichen, 5x10x10cm

Halfdan Kajhøj, CPU, Intel Core i3-3225 3.3ghz, oak bark with lichen, 5x10x10cm


Halfdan Kajhøj, CPU, Intel Core i3-3225 3.3ghz, oak bark with lichen, 5x10x10cm

Halfdan Kajhøj, CPU, Intel Core i3-3225 3.3ghz, oak bark with lichen, 5x10x10cm


Ada Greenstein, Festskrift 5/7

Ada Greenstein, Festskrift 5/7




TEXT

goose egg (2nd iteration) is an exhibition created with a principle of secrecy, trust, and improvisation, concerning methodologies of reduction and sourcing of materials, primarily based on conversation. The conversation circulated politics of waste, maintenance, archiving, collaboration, electronics, sound, ecology, transformation, and animism, leading to an accumulation of works by Halfdan Kajhøj, Anders Aarvik, Ayshan Qvortrup, Aske Hvitved, and Ada Greenstein. The works were unknown before the installation in the space that this time happened to be in a monastery. The principle of secrecy was modified in the 2nd iteration, where Ada Greenstein was the only participant aware of the included works and composed the following lyrics in Danish. 1/7 Okay, så jeg er inviteret til festen, men kender ikke et ØJE/Hvilken frisættende angsttilstand! Jeg kan drikke deres rødvin mens de zirkulerer deres konfliktstof/Et akavet ornament, et tolereret tapet/Normies har aldrig oplevet det, men min ukendthed er min hyrde/I det ukendte ligger altings oprindelse; en kreativ urkraft/Så forstærket søger jeg/at kravle ned i bukserne på samtlige gæster/Imens Muserne uddeler kunstens trøstepræmier til os: lossepladsens adelstand/Vi kære bastarder af død natur og uddateret teknologi. 2/7 Jeg ser en død mands øresnegl/Her kan man lægge sin tungespids/Slikke/Som en anden borgmester: slikke/Så lad dit ØJE aflevere sit zirkulære/Fortæl mig alt, hvad du har set/Jeg er med på en lytter og de døde er det bedste publikum/Se jeg er komfortabelt ingen over for offentlighedens kyklop/Sammen kan vi lave tegnsprog i mørket/Hviske: lille rotte på gulvet der, hvem er mester i landet her? 3/7 Festen flytter sig/Barbara fodrer kilden med dens udspring/Ideérnes genbrugscyklus roterer og transformeres om til en svævende maske/Barokken kaster op imens Guy Debords spøgelse åbner munden og blotter endnu et detournément med rådne tænder/Jeg får lyst til at sidde på jorden/Kom! Lad os danne en zirkel/Fjernt fra den historiske materialismes kindheste og dialektikkens spændetrøjer danner vi en zirkel/Bjerge af skrald skal være vores horisont som sprøjtens passeres/Her har vi intet, som fascisterne kan stjæle/Bered jer! 4/7 En rundet skikkelse klædt i jernalderdragt kravler rundt blandt rotter og karteboller/Sagte vibrationer beretter aktivering af Laplanches begærskompleks/Jeg har resigneret i sensitivitetens kappestrid/Mød mig i en busk og lad os dele panten/Jeg vil ikke længere/Behandle objekter som kvinder/Lad hadet strømme igennem dig, og jeg vil lade tusind blå blomster udspringe/Se min kjole/Lad mig, for en stund, hægte mig til din rygsøjles hyperbel/For du bærer et tegn - und es freut mich sehr/Du må/En eneste gang/Slå mig så hårdt du gider. 5/7 (Som en ring) Dit Feed/Nej, jeg har ikke læst “Forførerens dagbog”. Jeg har simpelthen ikke fået den læst/Mit sind skifter som månen roterer og/Mit Feed/ Du ville have mig kravlende på alle fire som et bæst?!/Mit Bleed/ Mennesket er dyrets fantasi/Dit Bleed/ 6/7 Kog ned på mit niveau/Fald ned på mig/Jeg ånder på dit ØJE mens du sover/Sov mit barn/Der er ingen, der kigger på dig, sov/Bliv let som en fjer og lad din mund svæve modstandsfrit bort/Du søger, du vil se/At der i din søgning kun søges efter dit eget ØJE/Søge, søge efter et ØJE/Søge/Du søger at blive set/Men det er bedre, at se end at blive set/Glid igennem min hud/Træd ind under min usynlighedskappe/Lad mig befamle dit smukke ansigt/Har du søgt min streg/Stik dig ind i mine årer/Har du fundet en hoverende skal/Men det ydre er det indre til hemmelighedstilstand oprundet/Sov. 7/7 Gå ned på hinanden! (som jeg stjæler lidt kirkesølv) Giv mig Jeres bedste/Som også jeg forsøger at give Jer mit bedste/ Og led mig ikke i vrangforestilling/men vis mig Jeres sandheds veje/For I er æren/Den anden/Åbningspotentialet/I er det hellige samfund/Skrifternes tilbagerullen/Safternes tilsynekomst/Og så dykker vi igen. – Ada Greenstein


Author: Ada Greenstein, Anders Aarvik